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Explore Autoethnographic Film as a Postmodern Genre

 

Discover the groundbreaking ebook Autoethnographic Film as Post-Modern Genre, a deep dive into the experimental film Being in Time (2024), first featured in The Autoethnographer journal.  This insightful case study positions Being in Time as a pioneering example of autoethnographic film as blending avant-garde aesthetics with innovative storytelling to redefine cinematic self-expression.

 

Through a critical analysis of Being in Time, this ebook traces the evolution of autoethnographic film as a distinct postmodern genre.  It explores how filmmakers, inspired by visionaries like Jonas Mekas, use montage and reflective practices to navigate the “self-as-Other” identity.  By examining the interplay of subjectivity and objectivity, the study reveals how autoethnographic film breaks from traditional ethnographic filmmaking, offering a fresh lens on identity, performativity, and cinematic aesthetics.

 

What Makes This Ebook Unique?

  • Embedded Video Extracts: Experience key scenes from Being in Time and other seminal works, bringing the analysis to life. (Best viewed with Adobe Reader/Acrobat for full multimedia access.)

  • Rich Context: Connects Being in Time to a lineage of ethnographic and autoethnographic films, supported by cutting-edge theoretical insights.

  • Practical Insights: Offers filmmakers and scholars a framework for understanding and creating autoethnographic films in a postmodern era.

Perfect for film scholars, students, and experimental filmmakers, this ebook illuminates a rapidly evolving genre through rigorous analysis and engaging multimedia. Download now to explore how autoethnographic film reshapes our understanding of cinema and self.

 

Note: For optimal viewing, use Adobe Reader/Acrobat to access embedded video content.

 

Developed in tandem with author Robert Cettl’s autoethnographic transmedia project A Stranger Here Myself – as coordinated on website, YouTube and X/Twitter.  Cettl is an Australian foreign teacher in China whose films draw on his lived inter-cultural experience, beginning with a new vlog series exploring the techniques developed in Being in Time and outlined in this ebook.

 

This ebook is a contextual prelude to the ongoing exploration of autoethnographic film and transmedia commencing on YouTube:

Auto-Ethnographic Film as Post-Modern Genre

HK$79.00Price

    Explore Autoethnographic Film as a Postmodern Genre

     

    Discover the groundbreaking ebook Autoethnographic Film as Post-Modern Genre, a deep dive into the experimental film Being in Time (2024), first featured in The Autoethnographer journal.  This insightful case study positions Being in Time as a pioneering example of autoethnographic film as blending avant-garde aesthetics with innovative storytelling to redefine cinematic self-expression.

     

    Through a critical analysis of Being in Time, this ebook traces the evolution of autoethnographic film as a distinct postmodern genre.  It explores how filmmakers, inspired by visionaries like Jonas Mekas, use montage and reflective practices to navigate the “self-as-Other” identity.  By examining the interplay of subjectivity and objectivity, the study reveals how autoethnographic film breaks from traditional ethnographic filmmaking, offering a fresh lens on identity, performativity, and cinematic aesthetics.

     

    What Makes This Ebook Unique?

    • Embedded Video Extracts: Experience key scenes from Being in Time and other seminal works, bringing the analysis to life. (Best viewed with Adobe Reader/Acrobat for full multimedia access.)

    • Rich Context: Connects Being in Time to a lineage of ethnographic and autoethnographic films, supported by cutting-edge theoretical insights.

    • Practical Insights: Offers filmmakers and scholars a framework for understanding and creating autoethnographic films in a postmodern era.​

    Perfect for film scholars, students, and experimental filmmakers, this ebook illuminates a rapidly evolving genre through rigorous analysis and engaging multimedia. Download now to explore how autoethnographic film reshapes our understanding of cinema and self.

     

    Note: For optimal viewing, use Adobe Reader/Acrobat to access embedded video content.

    Developed in tandem with author Robert Cettl’s autoethnographic transmedia project A Stranger Here Myself – as coordinated on website, YouTube and X/Twitter.  Cettl is an Australian foreign teacher in China whose films draw on his lived inter-cultural experience, beginning with a new vlog series exploring the techniques developed in Being in Time and outlined in this ebook.

    This ebook is a contextual prelude to the ongoing exploration of autoethnographic film and transmedia commencing on YouTube:

    STRANGER HERE MYSELF

    AUTO-ETHNOGRAPHY | EDUCATION | JOURNALISM | TRANSMEDIA DIGITAL PUBLISHING

    in POST-COVID-19 CHINA [A WORK IN PROGRESS]

    个性化民族志 | 教育 | 新闻 | COVID-19 后中国的跨媒体数字出版 [正在进行中]

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    (C) 2025 ROBERT CETTL | ALL RIGHTS RESERVED | THIRD PARTY MATERIAL (C) FAIR USE / FAIR DEALING

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